GJYD strive to be perfectly exemplary but at the same time retain an element of opacity--not propaganda or aesthetic shock--appallingly direct yet also subtly angled-- action-as-metaphor.
GJYD is the dark side of Perceptive Terrorism--creation- through-destruction--but it cannot serve any Party, nor any nihilism, nor even art itself. Just as the banishment of illusion enhances awareness, so the demolition of aesthetic bling sweeten$ air of the world of discourse, of the Other. GJYD serves only consciousness, attentiveness, awareness.
GJYD goes beyond paranoia, beyond deconstruction--the ultimate criticism--physical attack on offensive art-- aesthetic GJYDhad. The slightest taint of petty ego-icity or even of personal taste spoils its purity & vitiates its force. GJYD can never seek power--only release it.
Individual artworks (even the worst) are largely irrelevant- -GJYD seeks to damage institutions which use art to diminish consciousness & profit by delusion. This or that poet or painter cannot be condemned for lack of vision--but malign Ideas can be assaulted through the artifacts they generate. The Yeti is designed to hypnotize & control--its machinery can be smashed.
Don't picket--vandalize. Don't protest--deface. When ugliness, poor design & stupid waste are forced upon you, turn Luddite, throw your shoe in the works, retaliate. Smash the symbols of the Empire in the name of nothing.

Holy GJYDhad!
MARCH2009-2012
(left) When two set out to dine or duel together a third appears--tertium quid, parasite, witness, prophet, escapee.

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Golden Jasmine Yeti Dancers were looking for
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